Skip to content

European Drama and Performance Studies
2021 – 1, n° 16 Percevoir et transmettre le spectacle vivant

Purchase issue
Availability: Temporarily unavailable Out of print
Subscribe to the journal
Pages 7 to 11
Contents
Pages 13 to 35
Introduction
Gomez (Françoise)

MATIÈRE À MÉMOIRE :
LE CAS SINGULIER DU SPECTACLE VIVANT /
MEMORY MATERIAL:
THE SINGULAR CASE OF THE PERFORMING ARTS

Pages 39 to 53
Perceiving, experiencing, naming Notes on apophantic striving
Loayza (Daniel)
Pages 55 to 75
Penciling at the theater Snapshots of active perception
Gomez (Françoise)
Pages 77 to 85
Three imperceptible memories
Loayza (Daniel)

L’EN-QUÊTE DU CHERCHEUR DEVANT SON OBJET /
THE INVESTIGATION OF THE RESEARCHER
IN FRONT OF HIS OBJECT

Pages 89 to 104
Report, yes, but on what? An interview with Florence Naugrette
Gomez (Françoise)
Pages 105 to 118
The Researcher Behind the Scenes – Following Votre Faust directed by Aliénor Dauchez An interview with Marion Coste
Barbier de Reulle (Caroline)

MÉDIATEURS DE L’IMMÉDIAT /
IMMEDIATE MEDIATORS

Pages 121 to 125
Supertitling in a multicultural context An interview with Zsófia Molnár
Gomez (Françoise)
Pages 127 to 149
Audiodescription in the performing arts A tool to make the performance one’s own?
Gadrat (Sabine)
Pages 151 to 164
Looking forward An interview with Don Kent, film director
Loayza (Daniel)
Pages 165 to 175
Self-Portrait with a fly’s eye An interview with Jean-Pierre Léonardini
Loayza (Daniel)

PERCEVOIR ET TRANSMETTRE LE TRAVAIL EN COURS :
LA RÉFLEXIVITÉ PROFESSIONNELLE /
PERCEIVING AND TRANSMITTING THE WORK IN PROGRESS:
PROFESSIONAL REFLEXIVITY

Pages 179 to 191
Perceiving and transmitting play in theatrical learning A conversation with Jos Houben and Pascale Lecoq
Gomez (Françoise)
Pages 193 to 198
From capturing the instant to Pirandello’s “eternal moment”, about director’s notes Emmanuel Demarcy-Mota’s testimony
Gomez (Françoise)
Pages 199 to 206
Preparing without preempting Note on the proper use of programs
Loayza (Daniel)

DE LA TRACE À L’ARCHIVE /
FROM TRACE TO ARCHIVE

Pages 209 to 230
Tracing choreography? The dancer and the critic, Martha Graham and Edwin Denby
Serol (Lucas)
Pages 231 to 247
Rostand through the lens of film-theater Two perspectives on the staging of Cyrano de Bergerac by Denis Podalydès
Siméon (Sandrine)
Pages 249 to 263
Transmitting the dread of matter Epitaph by Romeo Castellucci
Mons (Amélie)

ENTRE PERCEVOIR ET TRANSMETTRE,
L’ANALYSE SCOLAIRE ET UNIVERSITAIRE /
BETWEEN PERCEIVING AND TRANSMITTING,
SCHOOL AND UNIVERSITY ANALYSIS

Pages 267 to 290
On transmitting (?) ephemeral art through images
Combes (Émilie)
Pages 291 to 312
Between perception and transmission The place of performance analysis
Gros de Gasquet (Julia)
Pages 313 to 322
Interview with Patrice Pavis
Gomez (Françoise)

VARIA

Pages 325 to 341
Talma schooled by his audience Correspondence and reflexivity
Julian (Thibaut)
Pages 343 to 357
Book references
Pages 359 to 366
Index of names
Pages 367 to 368
Index of characters
Pages 369 to 371
Index of works and shows
Pages 373 to 387
Résumés et présentations des auteurs
European Drama and Performance Studies is a journal devoted to the history of performing arts. Thematic issues are published in French and/or English.
  • CLIL theme: 4028 -- SCIENCES HUMAINES ET SOCIALES, LETTRES -- Lettres et Sciences du langage -- Lettres -- Etudes de littérature comparée
  • ISBN: 978-2-406-11534-2
  • EAN: 9782406115342
  • ISSN: 2266-9035
  • DOI: 10.15122/isbn.978-2-406-11535-9
  • Publisher: Classiques Garnier
  • Online publication: 04-05-2021
  • Periodicity: Biannual
  • Language: French
  • Keyword: performing arts, theatre, performance, perception, transmission, theatre research and creation, theatre criticism, capture and notation, pedagogy, performance analysis

Last issues published

Classiques Garnier

Useful links

Online institutional sales

Follow us
RSS Feed LinkedIn Instagram
Newsletter