How are living performances grasped by those who witness them and pass them on “before they settle between the pages [...] of the encyclopedias of theater”? By what means, with what instruments, according to what attitudes and strategies? This introduction sets out the itinerary of the “polyphonic investigation” collected in this volume, while proposing a preliminary typology of its “empirical anthology” as well as some conceptual reference points (drawn from Husserl, Merleau-Ponty or Bergson).
CLIL theme: 4028 -- SCIENCES HUMAINES ET SOCIALES, LETTRES -- Lettres et Sciences du langage -- Lettres -- Etudes de littérature comparée
ISBN:978-2-406-11535-9
EAN:9782406115359
ISSN: 2045-8541
DOI: 10.15122/isbn.978-2-406-11535-9.p.0013
Publisher: Classiques Garnier
Online publication: 04-05-2021
Periodicity: Biannual
Language: French
Keyword: live show, performance, memory, transmission, perception, phenomenology, matter, senses, show experience, testimony