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Le sublime selon Kant et Schiller et la théorie musicale de Michaelis

  • Publication type: Article from a collective work
  • Collective work: À la croisée des arts. Sublime et musique religieuse en Europe (xviie-xviiie siècles)
  • Author: Kapp (Volker)
  • Abstract: Introduced to Schiller through Kantian aesthetics, Michaelis developed his own musical theory influenced as much by the philosophy of Königsberg as by the poet : music is sublime only to the extent that its vigorous melodies and daring harmonies lift the imagination up to sublime thoughts and images. His theory offers a total vision of musical art, including instrumental music.
  • Pages: 427 to 442
  • ISBN: 978-2-8124-4678-8
  • ISSN: 2108-9876
  • DOI: 10.15122/isbn.978-2-8124-4680-1.p.0427
  • Publisher: Classiques Garnier
  • Collection / Journal: Reading the Seventeenth Century, n° 32
  • Subcollection: Musique et littérature, n° 4
  • Parution date: 05-28-2015
  • Last edition: 2015
  • Language: French

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