Écrire, la main dans la main De la fleur parodique au communisme littéraire : Le Sonnet du trou du cul

This article seeks to take stock of and theorize the question and stakes of intertextuality in Le Sonnet du trou du ­cul, taking as its ekphrastic starting point an interrogation of the play of presence and absence in a scene of reading : Fantin-­Latour’s (in)famous Coin de table group portraits (1872 and 1873).