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European Drama and Performance Studies, Hors-série La Décentralisation théâtrale en revues

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Pages 7 to 10
Sommaire

DOSSIER / SPECIAL REPORT

LA DÉCENTRALISATION THÉÂTRALE EN REVUES /
THEATER DECENTRALIZATION IN MAGAZINES

Pages 11 to 11
[Dédicace]
Pages 13 to 25
Introduction
Consolini (Marco), Denizot (Marion), Goetschel (Pascale)
Pages 27 to 44
The Courrier dramatique de l’Ouest (1952–1980) and Confluent (1968–1986) The hybrid status of the magazines of the Centre Dramatique de l’Ouest and the Maison de la Culture de Rennes
Denizot (Marion), Broin-Loussouarn-Varennes (Alice)
Pages 45 to 58
Supporting and reorienting decentralization The publications of the Centre Dramatique de l’Est and the Théâtre National de Strasbourg from 1954 to 2018
Astier (Aude), Diaz (Sylvain)
Pages 59 to 77
Bref (1955–1972), a model newspaper for decentralization?
Consolini (Marco)
Pages 79 to 87
Le Théâtre dans la Cité (1957–1959) A newsletter-program designed to “in a word [...] inform”
Zaccheo (Tommaso)
Pages 89 to 99
Cité Panorama (1959–1970) Spreading culture and helping mobilize
Faivre (Bernard)
Pages 101 to 122
Magazine-programs as propagators of theater decentralization The Compagnie André Mairal, Théâtre de Champagne-Comédie de Reims, 1962–1970
Gardet (Annette)
Pages 123 to 138
Room for the audience? What magazines had to say about the spectators of the Théâtre de l’Est Parisien (1963–1987)
Mouton-Rezzouk (Aurélie)
Pages 139 to 159
Loisir and Loisir Information (1963–1989) The magazine of the Théâtre-Maison de la Culture de Caen
Loncle (Stéphanie)
Pages 161 to 176
The Almanac of the Maison de la Culture de Bourges (1963–1973)
Chénetier-Alev (Marion)
Pages 177 to 196
“Our day-to-day certainties” Grenier de Toulouse (1964–1975), the Centre Dramatique National du Sud-Ouest’s newsletter
Tosetto (Cristina)
Pages 197 to 208
“The excessive need to write changes the actor. It makes him an author” Théâtre Bourgogne Actualités (1967–1970)
Chambarlhac (Vincent)
Pages 209 to 223
Rouge et Noir (1968–1986) The newspaper of the Maison de la Culture de Grenoble
Folco (Alice)
Pages 225 to 251
Is Atac information (1966-1981) squaring the circle? Cultural action between creation and animation
Tosetto (Cristina)

VARIA

Pages 255 to 258
Amateur theater and theater decentralization in Brittany, a history of ties and exchanges
Denizot (Marion)
Pages 259 to 270
The amateur and the professional The history of a turbulent relationship
Lozano (Lénaïg)
Pages 271 to 296
Rennes, the land of theater The interplay between amateur and professional practice
Broin-Loussouarn-Varennes (Alice)
Pages 297 to 317
Amateur theater and the theatrical avant-garde The example of the “nonprofessional” TRAC troupe in Rennes (1976–1989)
Denizot (Marion)
Pages 319 to 333
Institutional friendships and the autonomy of theatrical practice at university From Amphi-Theatre to Arena-Theatre (1991-2021)
Dumontet (Mathilde)
Pages 335 to 339
Index
Pages 341 to 357
Abstracts
European Drama and Performance Studies is a journal devoted to the history of performing arts. Thematic issues are published in French and/or English.
  • CLIL theme: 4028 -- SCIENCES HUMAINES ET SOCIALES, LETTRES -- Lettres et Sciences du langage -- Lettres -- Etudes de littérature comparée
  • ISBN: 978-2-406-12007-0
  • EAN: 9782406120070
  • ISSN: 2266-9035
  • DOI: 10.48611/isbn.978-2-406-12008-7
  • Publisher: Classiques Garnier
  • Online publication: 08-25-2021
  • Periodicity: Biannual
  • Languages: French, English
  • Keyword: theatrical decentralization, reviews, amateur theatre, theatre studies, history of the theatre, history of cultural policies

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