“The excessive need to write changes the actor. It makes him an author” Théâtre Bourgogne Actualités (1967–1970)

Taking an interest in the magazine Théâtre Bourgogne Actualités from 1967 to 1970, when Jacques Fornier’s troupe became the National Dramatic Center, questioned rural decentralization, the concept of non-public. This, formulated in Villeurbanne, was built on the relationship of a traveling troupe (the Théâtre de Bourgogne) to rural life, for lack of a welcoming metropolis. The magazine, sometimes a cultural action bulletin, is the crucible of this reflection