An ambiguous portrait of pain Fluid identity, androgyny, suffering, and artistic creation in The Fall of the House of Usher (Jean Epstein, 1928)
- Publication type: Journal article
- Journal: Écrans
2021 – 2, n° 16. La peinture de portrait : enjeux cinématographiques - Authors: Tognolotti (Chiara), Vichi (Laura)
- Pages: 41 to 53
- Journal: Screens