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2021 – 2, n° 16 La peinture de portrait : enjeux cinématographiques

  • Publication type: Journal
  • Editor: Ragel (Philippe)
  • Number of pages: 253
  • Parution: 04-13-2022
  • Journal: Screens
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Pages 7 to 10
Contents
Pages 11 to 11
Information
Pages 13 to 24
Avant-propos Du portrait de peinture au cinéma : héritages, relances et figure
Ragel (Philippe)

PREMIÈRE PARTIE / FIRST PART

DU SACRÉ DANS LE PORTRAIT /
ON THE SACRED IN PORTRAITURE

Pages 27 to 39
Portraiture whose solution is the distant Literally, painting: Street Angel
Durafour (Jean-Michel)
Pages 41 to 53
An ambiguous portrait of pain Fluid identity, androgyny, suffering, and artistic creation in The Fall of the House of Usher (Jean Epstein, 1928)
Tognolotti (Chiara), Vichi (Laura)
Pages 55 to 67
The performativity of the painted portrait in Pier Paolo Pasolini’s Teorema
Bégoc (Janig)

DEUXIÈME PARTIE / SECOND PART

LA MORT ET LE PORTRAIT /
DEATH AND THE PORTRAIT

Pages 71 to 83
On filmic family portraits Familystrip by Lluís Miñarro
Quintana Morraja (Àngel)
Pages 85 to 98
From family portrait to self-portrait Luchino Visconti’s Conversation Piece (1974)
Letoulat (Alice)
Pages 99 to 108
Imagining a romantic destiny The place of the painted portrait in N’oublie pas que tu vas mourir by Xavier Beauvois (1995)
Vasse (David)

TROISIÈME PARTIE / THIRD PART

LE PORTRAIT, UN MOTIF PIÉGÉ /
THE PORTRAIT, A BOOBY-TRAPPED MOTIF

Pages 111 to 125
Hermes versus Narcissus The Portrait of Dorian Gray (1945) by Albert Lewin
Calvet (Yann)
Pages 127 to 141
Hitchcock, murderous paintings
Decobert (Lydie)
Pages 143 to 154
The establishment of the portrait
Belloï (Livio)

QUATRIÈME PARTIE / FOURTH PART

FIGURATIVITÉ DU PORTRAIT /
FIGURATIVITY OF THE PORTRAIT

Pages 157 to 170
The haunted portrait The hold of the pictorial in the films of Roger Corman
Grünberg (Tristan)
Pages 171 to 182
Mankiewicz’s All About Eve Getting out of the portrait frame
Werly (Patrick)
Pages 183 to 193
Girl with a Pearl Earring (Peter Webber, 2003) Portrait, form, and figure
Thomas (Benjamin)

CINQUIÈME PARTIE / FIFTH PART

TRANSMÉDIALITÉ DU PORTRAIT /
TRANSMEDIALITY OF THE PORTRAIT

Pages 197 to 211
Competition between genres Portrait, nude, and landscape in Portrait of a Lady on Fire (Céline Sciamma, 2019)
Lécole Solnychkine (Sophie)
Pages 213 to 226
The painted portrait in Indian cinema or the legacy of Sanskrit theater
Préval (Jitka de)
Pages 227 to 238
The Skin I Live In Portrait of Vera as Ariadne with her back turned
Ragel (Philippe)
Pages 239 to 253
Abstracts
Screens is an interdisciplinary thematic journal focusing on the audiovisual domain and tackling contemporary issues affecting the cultures and arts of the image.
  • CLIL theme: 3157 -- SCIENCES HUMAINES ET SOCIALES, LETTRES -- Lettres et Sciences du langage -- Sciences de l'information et de la communication
  • ISBN: 978-2-406-13012-3
  • EAN: 9782406130123
  • ISSN: 2267-4357
  • DOI: 10.48611/isbn.978-2-406-13013-0
  • Publisher: Classiques Garnier
  • Online publication: 04-13-2022
  • Periodicity: Biannual
  • Languages: French, English
  • Keyword: Portrait, cinema, painting, art, aesthetic, figure, motif, transmediality, sacred, iconology

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