« Tous les héritages vides » Crises de la transmission dans Mariage mixte de Marc Weitzmann

This article analyses Marc Weitzmann’s Mariage mixte, centred on the figure of the “child victim”, representative of the disintegration of familial structures in the second half of the twentieth century. The revolt of the sons against their fathers questions the transmission of values, from a psychological point of view as much as a social one. Enunciative and linguistic interferences are the symptoms of an anxious interrogation of familial recollections.