The article closely examines the four editions of Marot published by François Juste which bear the emblem of Rabelais (1533-1535), describing what is distinctive about them compared to the official editions of the poet printed in Paris. Analyzing the pieces added to Rabelais' editions allows us to refute the hypothesis that he collaborated with the poet, either directly or indirectly, and that Rabelais and Juste consequently published the official editions of Marot's work.
CLIL theme: 4027 -- SCIENCES HUMAINES ET SOCIALES, LETTRES -- Lettres et Sciences du langage -- Lettres -- Etudes littéraires générales et thématiques