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European Drama and Performance Studies
2021 – 2, n° 17 Les émotions en scène (xviie-xxie siècle)

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Pages 7 to 9
Contents
Pages 11 to 24
Emotions on Stage A Contribution to the History of Emotions
Chaouche (Sabine), Marie (Laurence)

LA SCÈNE LABORATOIRE /
THE STAGE AS A WORKSHOP

Pages 27 to 48
The Emotion of the Actor A Paradox in Deception
Hénin (Emmanuelle)
Pages 49 to 69
Imiter l’action du tigre Charles Gildon, Aaron Hill et Henry V de Shakespeare
Harriman-Smith (James)
Pages 71 to 95
From Passions to Feelings on the French Stage What Role Did the Fourth Wall Play? (17th-18th Centuries)
Gros de Gasquet (Julia)
Pages 97 to 124
Le jeu expressionniste Les émotions paroxystiques en jeu sur la scène française de la fin du XVIIIe siècle
Chaouche (Sabine)
Pages 125 to 142
Pierrot : du rire à la peur
Nye (Edward)
Pages 143 to 178
The Emotional Power of of Dance, Body and Soul Between Gestures, Languages, and Figures
Schenck (Cécile)

GENRES D’ÉMOTIONS ET ÉMOTIONS GENRÉES /
EMOTIONAL GENRES AND GENDERED EMOTIONS

Pages 181 to 202
Considering Female Emotions in Early Modern Theatre
Lochert (Véronique)
Pages 203 to 224
Female Sensibility, a Model for the Reform of Theatre in the 18th Century?
Marie (Laurence)
Pages 225 to 242
‘Opera is Emotion in Pure Form’ An Attempt to Explore a Cliché and its Gender Issues
Nancy (Sarah)
Pages 243 to 264
Modern Lives, Classical Emotions Bulle Ogier and Jacques Rivette, from L’Amour fou to La Bande des quatre
Leichman (Jeffrey)

LA RÉCEPTION DES ÉMOTIONS /
THE RECEPTION OF EMOTIONS

Pages 267 to 289
Emotion Machines? Technologies of the Gaze and Scenographies of Dazzlement (17th Century)
Guyot (Sylvaine)
Pages 291 to 314
Emotions from Afar? Feeling and Considering the Pathos of Chinese Theatre from a French Perspective (1730-1830)
Cavaillé (Fabien)
Pages 315 to 337
Emotions Born from Memory and the Singing Voice at the Opéra-Comique
le Blanc (Judith)
Pages 339 to 360
Affect déshumanisé La performance moderniste et la culture de la sensibilité esthétique
Subialka (Michael)
Pages 361 to 380
What Emotions Does Greek Tragedy Produce on the Today’s Stage?
Lechevalier (Claire)
Pages 381 to 393
Abstracts
European Drama and Performance Studies is a journal devoted to the history of performing arts. Thematic issues are published in French and/or English.
  • CLIL theme: 4028 -- SCIENCES HUMAINES ET SOCIALES, LETTRES -- Lettres et Sciences du langage -- Lettres -- Etudes de littérature comparée
  • ISBN: 978-2-406-12206-7
  • EAN: 9782406122067
  • ISSN: 2266-9035
  • DOI: 10.48611/isbn.978-2-406-12207-4
  • Publisher: Classiques Garnier
  • Online publication: 09-22-2021
  • Periodicity: Biannual
  • Languages: French, English
  • Keyword: Theatre, acting, 17th century, 18th century, 19th century, 20th century, passion, feeling, rhetoric, performing arts, dance, voice, music, gender studies, women, spectator, France, England, Shakespeare

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