The immobilization of the image in a film refers to a bifurcation of the temporalities, which the reference to the paintings, and the living paintins, enriches. It installs an apparent symmetry with the notion of a preying moment that pulls the painting towards a narrative time. But in what order is this moment that arises when the flow of images stops? Starting from History of Judas by R. Ameur Zaïmeche, we will question the « duration » of an image that no longer has any.
CLIL theme: 3157 -- SCIENCES HUMAINES ET SOCIALES, LETTRES -- Lettres et Sciences du langage -- Sciences de l'information et de la communication
ISBN:978-2-406-11509-0
EAN:9782406115090
ISSN: 2491-2557
DOI: 10.15122/isbn.978-2-406-11509-0.p.0023
Publisher: Classiques Garnier
Online publication: 04-29-2021
Periodicity: Biannual
Language: French
Keyword: living painting, Rabah Ameur-Zaïmeche, painting, cinema, temporality