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Le sublime de l’harmonie imitative
Autour des motets de Mondonville

  • Publication type: Article from a collective work
  • Collective work: À la croisée des arts. Sublime et musique religieuse en Europe (xviie-xviiie siècles)
  • Author: Hache (Sophie)
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  • Abstract: Applied to the reception of Mondonville in the mid-eighteenth century, the notion of imitative harmony, as pertinent to music as it is to literature, is a key in understanding the evolution of the musical sublime and the emergence of a taste for the tableau characterised by the effect of the ensemble and the abstraction of representation.
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  • Pages: 295 to 308
  • Last edition: 2015
  • Collection: Reading the Seventeenth Century, n° 32
  • Subcollection: Musique et littérature, n° 4

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  • ISBN: 978-2-8124-4678-8
  • ISSN: 2108-9876
  • DOI: 10.15122/isbn.978-2-8124-4680-1.p.0295
  • Publisher: Classiques Garnier
  • Parution date: 05-28-2015
  • Language: French
Availability: Temporarily unavailable Out of print
Regular Price: 2.00 €
Support: Digital
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