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Du canon au sublime
Normes et interstices dans les écrits sur la musique en France au xviie siècle

  • Publication type: Article from a collective work
  • Collective work: À la croisée des arts. Sublime et musique religieuse en Europe (xviie-xviiie siècles)
  • Author: Psychoyou (Théodora)
  • Abstract: In writings on music from the second half of the seventeenth century, beauty breaks away from the hierarchy of styles and is seen to result from a “masterly touch” which deviates from “good composition”. Paradoxically, the mastered transgression which confers genius on a work escapes the norm. The « je ne sçay quoi » of the sublime represents an alternative to the Aristotelian model of an ordered nature.
  • Pages: 367 to 393
  • ISBN: 978-2-8124-4678-8
  • ISSN: 2108-9876
  • DOI: 10.15122/isbn.978-2-8124-4680-1.p.0367
  • Publisher: Classiques Garnier
  • Collection: Reading the Seventeenth Century, n° 32
  • Subcollection: Musique et littérature, n° 4
  • Parution date: 05-28-2015
  • Last edition: 2015
  • Language: French

  • Article from a collective work: Previous 22/31 Next

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