Retake/remake On Marguerite Duras’s Œuvres complètes

What changes in our perception of Duras’ books whether we read them in one or another of the forms in which they are available: in separate works for the most part; collected, for some, in a Quarto volume; all assembled in the Complete Works of the Pléiade? We will see that certain editorial options dramatize the chronology of the publication of the texts; we will then focus on a particular case, that of the volume Théâtre III of 1984.