Visible time and sensitive space Proust and Bergson in the prism of Mikhail Bakhtin’s “chronotope”

We know that for Bakhtin, the novel is characterized, and divided into various categories, by its spatiotemporal structure. Is the thinker closer to Bergson than to Proust in this regard? In fact, we can see that Proust begins where Bergson ends, with Bakhtin destabilizing the latter’s categories.