For an anatomy of the rachildian critical discourse Rachilde, “androgynous of letters” of Mercure?

Marguerite Eymery, known as Rachilde, claims a perfect neutrality in her “columns on novels”. “Androgynous of letters”, did Rachilde manage to deny the question of gender, offering an unbiased reading of the literature of her time? How does the question of gender unwillingly orient her work? Drawing on all her columns, this article aims to offer an anatomy of Rachildian critical discourse during nearly thirty years.