Anticipations and desire in Charbel Dagher’s Transit

In Charbel Dagher’s play Transit, language takes center-stage, considered as “truth” or “consensus.” It becomes the protagonist of the work. Thus, the pairing of language-suspense becomes the principal vector for advancing the plot. Yet Dagher favors metaphor above all else. How does this combination of space, suspense, and poetic language function in the play?