« De l’amor cortés a l’amor per tèrra » Les troubadours et leur réception à l’époque contemporaine dans l’écriture amoureuse de Jean Boudou

Boudou’s acquaintance with the troubadours is dual, between a faithful quotation of medieval texts and a criticism of their interpretation in the 20th century. His lyrical and fictional writing is a reconsideration of research studies on the troubadours produced in the contemporary occitan movement.