Incidence de la voix dans Textes pour rien de Samuel Beckett Un pas rien d’insolitude

Beckett’s Texts for Nothing is the place of the voice; a place for the voice that is the mark of unsolitude, the impossible at the heart of solitude, the impossibility of complete extinction. It is in language itself that Beckett plays the game: purifying it, making it ooze to the point of tearing invented words from it, words that point “worstward”. In doing so, it is transmission that it questioned, according to a formulation that would not be “like father like son”, but “like hand like father-son”.