List of Illustrations
- Publication type: Article from a collective work
- Collective work: Good Friday Ceremonies with Articulated Figures in Medieval and Early Modern Europe
- Pages: 423 to 430
- Collection: Encounters, n° 606
- Series: Medieval civilization, n° 57
List of Illustrations
Contribution of Christophe Chaguinian
Fig. 1 – The Holy Sepulcher under Constantine 18
Fig. 2 – Thirteenth-century French pyx shaped as a tower. Musée de Cluny 30
Fig. 3 – Replica of the Anastasis in the cathedral
of Aquilea. Erected around 1050, it is one
of the earliest examples of this type 49
Fig. 4 – Gisant from the abbey of Wienhausen 52
Fig. 5 – Gisant from the abbey of la Maigrauge 53
Fig. 6 – Gisant from the church of Kerteminde 54
Fig. 7 – Wooden coffer from the church of Baar 57
Fig. 8 – Wooden gisant on a table tomb
in Little Leighs (middle of the fourteenth century) 58
Fig. 9 – Articulated Christ from Chełmno
(modern day Poland) 60
Fig. 10 – Good Friday procession with a host
(Sacrarum caeremoniarum, 1582, p. 157) 70
Fig. 11 – Deposition from the Cross
of Erill la Vall (twelfth century) 92
Fig. 12 – Road to Emmaus Appearance. Relief in the cloister of the monastery of Santo Domingo de Silos 95
Fig. 13 – Burial of Christ. Relief in the cloister
of the monastery of Santo Domingo de Silos 97
Fig. 14 – Descent from the Cross at the monastery
of San Juan in Teitipac 117
Fig. 15 – Procession at the monastery of Huejotzingo 118
Contribution of Johannes Tripps
Fig. 1 – Jacob Ruess of Ravensburg, midsection
of the back of the altarpiece. Chur Cathedral, 1492 130
Fig. 2 – Jacob Ruess of Ravensburg, cavity at the base
of the decorative skull to mount on the cross,
Chur Cathedral, 1492 131
Fig. 3 – Shrine Madonna, Vienna, Dommuseum, c. 1420/30 133
Fig. 4 – Crucifix (Crucified Christ) with movable arms,
front view, Döbeln, Sankt Nicolai Kirche, c. 1510 137
Fig. 5 – Crucifix (Crucified Christ) with movable arms,
back view, Döbeln, Sankt Nicolai Kirche, c. 1510 138
Fig. 6 – Pietà with crucifix (Crucified Christ)
with movable arms. Rottweil, St. Pelagius. Formerly
at the Cistercian Rottenmünster Abbey, c. 1330 141
Fig. 7 – Michael Heuffner, Holy Sepulcher, Zwickau, Marienkirche, 1507 145
Fig. 8 – Funerary Christ in Holy Sepulcher, formerly at Zwickauer Marienkirche (?), now at Evangelisch-Lutherische Nicolai-Kirchengemeinde, 1507 146
425Fig. 9 – Holy Sepulcher, formerly at Hrońský Beňadik,
now at Esztergom, Keresztény Múzeum, c. 1480/90 147
Fig. 10 – Crucifix (Crucified Christ) with movable arms
from Holy Sepulcher, Hrońský Beňadik,
Benedictine Church, c. 1480/90 148
Contribution of Martin Wangsgaard Jürgensen
Fig. 1 – Tomb from Kerteminde Church, c. 1500-25 168
Fig. 2 – Tomb from Mariager Monastery Church, c. 1525 171
Fig. 3 – Tomb from Frørup Church, c. 1500-25 172
Fig. 4 – Tomb from Tornby Church, c. 1500 174
Fig. 5 – Tomb from Bäl Church, c. 1200 178
Fig. 6 – Tomb from Riddarholmskyrkan, c. 1400 179
Fig. 7 – Tomb from Västerlövsta Church, c. 1475-1500 181
Fig. 8 – Tomb from RoslagsbroChurch, c. 1500 182
Fig. 9 – Christ figure from Enköping Our Lady Church,
c. 1500 183
Fig. 10 – Tomb from BollnäsChurch, c. 1475-1500 184
Fig. 11 – Sculpture from Uppsala Cathedral 186
Fig. 12 – Tomb from KorpoChurch, c. 1450-1500 190
Fig. 13 – Tomb from Turku Cathedral, c. 1500 191
Fig. 14 and 15 – †Tomb from Laitila Church, c. 1500 193
426Fig. 16 – Order of the responsories sung
during the Depositio in the individual sources 196
Contribution of Petr Uličný
Fig. 1 – Prague Castle, Church of St George,
reconstructed ground plan as c. 1350. 1: eastern choir,
2: probable location of the Sepulchre by the high altar, 3: tomb of Prince Boleslav II and the altar of the Holy Cross, 4: medio ecclesie, 5: western choir, 6: first chapel,
7: second chapel, 8: second chapel after the construction
of the tomb of St Ludmila 203
Fig. 2 – Prague Castle, Church of St George,
Holy Sepulchre by the high altar, c. 1350, reconstruction 207
Fig. 3 – Prague Castle, Cathedral of St Vitus,
reconstructed ground floor as c. 1420. 1: canonical choir
of St Vitus, 2: mansionars’s choir of the Virgin Mary,
3: chapel of St Wenceslas, 4: altar of the Holy Cross,
5: south entrance 208
Fig. 4 – Monstrance from Sedlec, c. 1389. Kutná
Hora-Sedlec, Římskokatolická farnost (inv. no. 30051) 213
Fig. 5 – Christ from the Easter Sepulchre
in České Budějovice, c. 1360. Front and side view.
Alšova jihočeská galerie, Hluboká nad Vltavou 219
Fig. 6 – České Budějovice, Church of the Presentation
of the Blessed Virgin Mary, niche in the south transept, probably used as the Easter Sepulchre 220
Fig. 7 – Kojetice (north of Prague), Church of St Vitus,
niche in the south wall of the sanctuary,
probably used as the Easter Sepulchre, c. 1360 222
Fig. 8 – Kadaň, Church of the Annunciation
of the Virgin Mary and the Fourteen Holy Helpers, niche in the sanctuary, probably used as the Easter Sepulchre, before 1517 223
Fig. 9 – Christ with movable arms from the Church
of St Benedict at Hradčany in Prague, c. 1350 224
Fig. 10 – Christ with movable arms from the Church
of St Benedict at Hradčany in Prague, c. 1350.
Detail of the joint mechanism 225
Fig. 11 – Christ with movable arms, originally
from Boletice near Český Krumlov, c. 1450,
and as with arms close to the body 227
Fig. 12 – Christ with movable arms, originally
from Boletice near Český Krumlov, c. 1450.
Detail of the joint mechanism 228
Fig. 13 – Crucifix from Medlov. Originally from the end
of the fifteenth century, later adapted as Christ
with movable arms, during the modern restauration brought back to the original form 229
Fig. 14 – Christ with movable arms, Litovel, c. 1520 230
Contribution of Claudio Bernardi and Carla Bino
Fig. 1 – Table Cross, seventeenth century. Church of San Paolo 253
Fig. 2 – Articulated crucifix, sixteenth century (108 cm). Church of San Pietro, Grignano (Prato) 254
Fig. 3 – Enrico da Villacco, articulated crucifix,
1517 (187 cm.). Church of Santa Maria Maggiore,
Pontebba (Udine) 254
Fig. 4 – Crucifix with movable head,
(end of fifteenth century – beginning of sixteenth century). Church of ss. Trinità, Gorno (Bergamo) 255
Fig. 5 – Giovanni Teutonico, Crucifix with movable tongue (fifteenth century). Church of Sant’Erminio, Perugia 256
Fig. 6 – Articulated crucifix (end of seventeenth century). Church of Sant’Antonio Abate, Bereguardo, (Pavia) 257
Fig. 7 – Mixed material statue of the dead Christ
(fourteenth century). Church of the Battuti dell’Annunziata, Perugia 258
Fig. 8 – Mixed material statue of the dead Christ
(fourteenth century). Oratory of the Santa Croce Brotherood, Mercatello sul Metauro (Pesaro-Urbino) 258
Fig. 9 – The Deposition from the Cross, wooden group
of Tivoli (1210-1220). Cathedral of S. Lorenzo 264
Fig. 10 – Vero dissegno della funebre fonzione, middle
of seventeenth century 298
Contribution of Julio I. González Montañés
Fig. 1 – Articulated statues of Christ and Ceremonies
of the Descendimiento in the Western Kingdoms
of the Iberian Peninsula (twelfth-nineteenth centuries) 310
Fig. 2 – Vigil over the sepulcher of Christ on Good Friday
in Lebrija (Seville) 315
Fig. 3 – Descent from the Cross ceremony
at Medina del Campo (Valladolid) 318
Fig. 4 – Santo Cristo de Ourense, c. 1330 323
429Fig. 5 – Romanesque Christ from Siresa (Huesca), c. 1150 326
Fig. 6 – Articulated Christ from Viseu 327
Fig. 7 – Cristo de los Gascones. Segovia, Church of San Justo, c. 1200 329
Fig. 8 – Articulated Christ. Segovia, Church of the Vera Cruz (True Cross), c. 1250-1300 331
Fig. 9 – Articulated Christ. Tui (Pontevedra),
Diocesan Museum, c. 1350-1375 332
Fig. 10 – Articulated Christ. O Incio (Lugo),
Church of San Pedro Fiz, c. 1355 333
Fig. 11 – Romanesque tympanum. Puerta del Perdón,
Church of San Isidoro, León, c. 1150 335
Fig. 12 – Descent from the Cross. Romanesque relief,
Cloister of Silos (Burgos), c. 1160 336
Fig. 13 – Tomb of Jesus, Romanesque capital. Cloister
in the Cathedral of Tudela (Navarre), c. 1190 341
Fig. 14 – Arca de Carrizo. Astorga (León) Diocesan Museum, c. 1200 347
Fig. 15 – Arca de San Ginés (Guadalajara). sixteenth century, disappeared in 1936 349
Fig. 16 – Desenclavo ceremony at Viveiro (Lugo). 2014 358
Fig. 17 – Descent from the Cross ceremony at Astorga (León), 2010. Christ image c. 1613 359
Fig. 18 – Canary Islands. Articulated statues of Christ
and Ceremonies of the Descendimiento 361
Fig. 19 – Portugal. Atlantic Islands. Articulated statues
of Christ and Ceremonies of the Descimento 362
Fig. 20 – Descimento da Cruz at Peniche
(Portugal, Leiria District). Christ commissioned in 1692
to replace an earlier deteriorated image 364
Fig. 21 – Medieval articulated Christs and Ceremonies
of the Descendimiento (twelfth-fifteenth centuries) 366
Fig. 22 – Regional and chronological distribution
of the ceremonies 367
- CLIL theme: 4027 -- SCIENCES HUMAINES ET SOCIALES, LETTRES -- Lettres et Sciences du langage -- Lettres -- Etudes littéraires générales et thématiques
- ISBN: 978-2-406-15763-2
- EAN: 9782406157632
- ISSN: 2261-1851
- DOI: 10.48611/isbn.978-2-406-15763-2.p.0423
- Publisher: Classiques Garnier
- Online publication: 12-27-2023
- Language: French