Exile of Artists, Exile of Plays and their Staging The Example of The Game of Love and Chance by Lolita Tergémina (2022)

Could it be that a play as The Game of Love and Chance is still easily accessible today, in terms of its language and its themes? What if the play has been translated into La Réunion créole and performed for an audience understanding both créole from Réunion and French from France? What happens with this play and its staging when it is performed for a local Réunion audience? How is it received in France in 2022 in this créole translation, in terms of acting style and production?