Skip to content

European Drama and Performance Studies
2020 – 1, n° 14 The Stage and its Creative Processes (16th-21st century), volume 2

Purchase issue
Availability: Temporarily unavailable Out of print
Subscribe to the journal
Pages 7 to 10
Contents
Pages 11 to 21
Organic Performances and Holistic Processes Mapping Creativity Across the Centuries
Chaouche (Sabine)

PHILOSOPHY OF THE CREATIVE PROCESSES

Pages 25 to 47
Work in Progress and Creativity in Performance The Actor’s Training in 17th- and 18th-Century Theories
Chaouche (Sabine)
Pages 49 to 63
The Actor and Creation Shaping the Feeling
Chaouche (Sabine)

CREATIVE PROCESSES IN FOCUS

Pages 67 to 111
The “Copione” of Adelaide Ristori’s False Confidenze (1856) An Exceptional Testimony to the Creative Process in the Days of the Great Actors
Ranzini (Paola)
Pages 113 to 128
Performing the Self to Death Sarah Bernhardt’s Acting Up and Out and Outplaying
Bourne-Taylor (Carole)
Pages 129 to 144
Economic Competition and Artistic Interpenetration in Roger Blin’s La Parodie and En Attendant Godot
Dumontet (Mathilde)
Pages 145 to 163
The State as an Intertwining of Choreographic Creation Processes
Perilhon (Cyrielle)
Pages 165 to 176
“Desire Can only Be Approached by ­Dancing” The Actor's Co-Construction in Partage de midi by Paul Claudel, Directed by Yves Beaunesne
Deregnoncourt (Marine)
Pages 177 to 196
For a New Approach to the Creative Process The Case of the Cahiers du Studio
Gouët (Ella)
Pages 197 to 216
The Invisibility of Translation in the Creative Process with Texts Translated in Santiago de Chile (2014-2016)
Pelegrí Kristić (Andrea)
Pages 217 to 236
The Ecological Dimension of the Creative Process A Way of Doing Things that is Shaped in Practice, The Case of Mockumentary of a Contemporary Saviour
Diaz Otero (Antia)
Pages 237 to 251
Testimony The Elderly Other: A Methodological Monologue
Leow (Puay Tin)

CREATIVE PROCESSES AND HISTORICALLY
INFORMED PERFORMANCE

THE THÉÂTRE MOLIÈRE SORBONNE
EDITOR : MATTHIEU FRANCHIN

Pages 255 to 266
Introduction Researching the Creative Processes at Work in the 17th Century Theatre. The Example of the Théâtre Molière Sorbonne
Franchin (Matthieu)
Pages 267 to 307
Methodological Elements for Reconstructing the Declamation of Molière’s time
Laurenti (Jean-Noël)
Pages 309 to 331
Experimental Archaeology Put at the Service Historically Informed Performances? The Case of 17th-Century Body Techniques for Acting
Bouffard (Mickaël)
Pages 333 to 344
Testimony Vocal Technique and Declamation: A Pedagogical Approach for Historically Informed Performance
Landy (Sophie)
Pages 345 to 354
Testimony The Dancing Master as a Body Shaping Sculptor
Jablonka (Guillaume)
Pages 355 to 374
Which Incidental Music for the Theatre of the 17th Century? The Challenges of Musical Directing at the Théâtre Molière Sorbonne
Franchin (Matthieu)
Pages 375 to 392
Putting Primary Sources at the Heart of the Creation Elements for Reconstructing the Dances in a Comédie-Ballet
Hazebroucq (Hubert)
Pages 393 to 398
Index
Pages 399 to 413
Abstracts
European Drama and Performance Studies is a journal devoted to the history of performing arts. Thematic issues are published in French and/or English.
  • CLIL theme: 4028 -- SCIENCES HUMAINES ET SOCIALES, LETTRES -- Lettres et Sciences du langage -- Lettres -- Etudes de littérature comparée
  • ISBN: 978-2-406-10379-0
  • EAN: 9782406103790
  • ISSN: 2266-9035
  • DOI: 10.15122/isbn.978-2-406-10380-6
  • Publisher: Classiques Garnier
  • Online publication: 03-02-2020
  • Periodicity: Biannual
  • Languages: French, English
  • Keyword: Theatre, performance, genetics, acting, dance

Last issues published

Classiques Garnier

Useful links

Online institutional sales

Follow us
RSS Feed LinkedIn Instagram
Newsletter