La scène à l’épreuve de l’infini Expérimentations de Luca Ronconi à partir d’Infinities de John David Barrow

In his work, Luca Ronconi favors experimenting with new ways of thinking about the art of theater. In 2002, with John D. Barrow’s Infinities, he brings theater and science into dialogue with one another and tests the limits of theatrical and scientific codes. Through this staging process, he seeks to change how the world is represented, overcoming but also creating the unperformable and seeking to make a show that would be infinite in time, in space, as well as infinite in how the audience receives it.