De l’injouabilité du texte à la médiatisation de la scène L’expérience müllérienne de J. Jourdheuil et J.-F. Peyret (1987)

This article looks at the dramaturgical and staging choices made by the duo Jean Jourdheuil and Jean-François Peyret in 1987 on the occasion of their production of Paysage sous surveillance by Heiner Müller. Immediately drawing attention to the problematic nature of the text, they offer a radical dramaturgical reading of it that culminates in the implementation of a sophisticated and original media device.