La culture du corps au café-concert Eugénie Buffet, reine des pierreuses

Drawing on Buffet’s memoirs and song repertoire, as well as press cuttings and iconographical sources (Lautrec, Steinlen, Métivent), this article attempts to understand how this unusual artist constructed her image, her style, and subsequently an international career, going on to become one of the most popular figures of the Belle Époque.