Capturing “the image that we will never see twice” The becoming-cinema of live-streaming

A media genealogy reveals a tension towards immediacy. This article focuses on the cinematographic reuse of audiovisual materials initially broadcast on live-streaming platforms. We will show how cinema reveal "the opacity of transparency'' and to what extent the logic of capture breaks the performance of surveillance and sousveillance of the real-time images while perpetuating a logic of shareveillance.