Using Binswanger’s research on dream’s theories in the Pre-Socratic philosophy and Foucault’s propositions about the idea of image as dress and appeal, this work engages a reflection on an anthropology of cinema, défined as institution of rituals of production and self-representation of a practice that Ulrich Sonnenmann called “an oblivion of future”. The anthropology of cinema could be considered as a science of germination for human qualities and humanoids machines.
CLIL theme: 3157 -- SCIENCES HUMAINES ET SOCIALES, LETTRES -- Lettres et Sciences du langage -- Sciences de l'information et de la communication