This article focuses on both singular and plural beings: those who are in front of cameras, either as casual actors (documentary films) or as professional actors (fiction films). The work questions what distinguishes them. The first work on their transformation into characters, are aware of the image, the figura that their filmed person will produce. The latter are not supposed to know this process, which in principle does not concern them.
CLIL theme: 3157 -- SCIENCES HUMAINES ET SOCIALES, LETTRES -- Lettres et Sciences du langage -- Sciences de l'information et de la communication
ISBN:978-2-406-08684-0
EAN:9782406086840
ISSN: 2491-2557
DOI: 10.15122/isbn.978-2-406-08684-0.p.0147
Publisher: Classiques Garnier
Online publication: 11-12-2018
Periodicity: Biannual
Language: French
Keyword: Theory of cinema, aesthetics of cinema, psychanalysis, mythology, ethnology