In cinema, the context of the fiction tests the conditions which define the autobiographical genre as literature considers it. Firstly, this text focuses on autofiction in cinema using literary theory; secondly, a typological study and some various analysis illuminate different « mise en scène » of the « I » thereby revealing how the author can affirm his presence in his movie.
CLIL theme: 3157 -- SCIENCES HUMAINES ET SOCIALES, LETTRES -- Lettres et Sciences du langage -- Sciences de l'information et de la communication