« Les décombres sont, comme les monuments, des matériaux de construction qui viennent tout droit des carrières » L’écriture de fragment chez Heiner Müller

In 1975, Heiner Müller returned to scenes written at the beginning of the 1960s with the aim of creating an agro-drama about the mechanisation of agriculture in Eastern Germany and the intersection between texts of diverse origins. The result is a play which rebels against a conventional theatre where the spectator is happy to consume the plot and ideas: Traktor, in which the fragment plays an essential role.