Mora Mora et L’air des sapins

The artist Nathalie Perrin was asked to create three works relating to the exhibition, situated between literary reverie and analog precision. In them, the letters of each word are deliberately drawn with the left hand, like a test of the self in which she is confronted with the violence of Moravagine, while the suggestive drawings, inspired by the Wölflian aesthetic, offer new ways to discover the “folles rencontres” between Cendrars and Wölfli.