Au-delà du mot Principes esthétiques de l’afropolitanisme dans Adas Raum de Sharon Dodua Otoo

This article examines Afropolitanism as an aesthetics of entanglement and commonality (Mbembe) in Sharon Dodua Otoo’s novel Adas Raum (2021). It highlights the novel’s portrayal of multiple singularities across different times and spaces, arguing that its complex poetics draws from Sankofa’s Akan philosophy. By emphasising the circulation and interconnection of cultural elements, the article aims to explore the aesthetic principles of Afropolitanism beyond its use as a label and identity marker.