Territorial rooting and literary history: Tristan L’Hermite and La Marche

What is the point of territorializing an author, a literary production? What are the consequences and stakes of such an approach? Is the concept of “literary geography” relevant for an author like Tristan L’Hermite? It seems important to analyze Tristan’s work from the perspectives of his relationships to territory, landscape, and space, and the tensions between real places and sites of memory and imagination.