Due to difficult existential circumstances, Picasso had a creative crisis in 1935, so he stopped visual production and devoted himself instead to writing. He took the chance to test the founding assumption of the surrealist dictation, or automatic writing. But Picasso is concerned with the relationship with reality, not with surreality. So what are the implications of his automatism? On the other hand, is automatism a possible key for the relationship between visual and verbal?
CLIL theme: 4027 -- SCIENCES HUMAINES ET SOCIALES, LETTRES -- Lettres et Sciences du langage -- Lettres -- Etudes littéraires générales et thématiques
ISBN:978-2-406-10062-1
EAN:9782406100621
ISSN: 2430-8293
DOI: 10.15122/isbn.978-2-406-10062-1.p.0049
Publisher: Classiques Garnier
Online publication: 02-24-2020
Periodicity: Annual
Language: French
Keyword: Picasso, Leiris, automatic writing, surrealism, automatism, 1935, medium