Between dramaturgical savoir-faire and poetic ideal, Piquillo, Les Monténégrins, and L’Imagier de Harlem question the possibility of naive writing in theater. These pieces mixed with music carry with them an ethical and aesthetic meditation on the value of naivety, and their critical reception reveals the skill of Nerval and his collaborators, sentimental playwrights who manage to create the illusion of a naive theater.
CLIL theme: 4027 -- SCIENCES HUMAINES ET SOCIALES, LETTRES -- Lettres et Sciences du langage -- Lettres -- Etudes littéraires générales et thématiques