In the case of André du Bouchet, “editorial enunciation” is the result of the auctorial event accompanied, since it provides so much support, by the material resources of the book. Together, they form the project of a spatial poetry, based on the phenomenological relationship to the world. The article first assesses the importance of typographic resources (bivalence of the medium and reversibility of both the white page and print) in the published work, then analyzes the reasons for disagreement and the factors behind the dialogue between du Bouchet and his publishers.
ISBN:978-2-406-08862-2
ISSN: 2105-2689
DOI: 10.15122/isbn.978-2-406-08862-2.p.0145
Publisher: Classiques Garnier
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Keyword: André du Bouchet, poetry edition, illustration, visual poetry, expressive typography