As early as 1914, Proust began to take notes on the war and very quickly decided to incorporate it into the novel he was writing. In addition to the social upheavals it entails, he is interested in the different discourses it gives rise to and intends to distance himself from them, in particular those of the press. Thus, the novelistic dimension of the event emerges in the eyes of Proust, who sees it as a “turning point” and makes a proper play out of it in a novel drawn from an aesthetics of reversal.
CLIL theme: 4027 -- SCIENCES HUMAINES ET SOCIALES, LETTRES -- Lettres et Sciences du langage -- Lettres -- Etudes littéraires générales et thématiques
ISBN:978-2-406-14534-9
EAN:9782406145349
ISSN: 2430-8218
DOI: 10.48611/isbn.978-2-406-14534-9.p.0167
Publisher: Classiques Garnier
Online publication: 12-28-2022
Periodicity: Biannual
Language: French
Keyword: twentieth-century French literature, genetics of texts, novel, war, Le Temps retrouvé