Les Mains négatives, Cosmogony, Creation and Representation

Creation and cosmogony come together in the genesis of the text and film Les Mains négatives. The imprint of negative hands also evokes the genesis of art, writing and images, whose raw material is light. In terms of representation, these hands are a pretext for revealing Duras’s intermedial approach to creation, from which we will highlight the relationships between creation and cosmogony, light and image, movement and writing.