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La Revue des lettres modernes
2022 – 1 Éditions Verticales, ou comment éditer et écrire debout

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Pages 7 to 11
Contents
Pages 13 to 26
Introduction Verticales as a rallying point for differences
Adler (Aurélie), Bikialo (Stéphane), Germoni (Karine), Narjoux (Cécile)

PREMIÈRE PARTIE / FIRST PART

IDENTITÉ(S) ET POLITIQUE(S) ÉDITORIALES /
EDITORIAL IDENTITY/IES AND POLITICS

Pages 29 to 63
The editorial identity of Verticales Round table with Claro, Jeanne Guyon, Yves Pagès, and Pierre Senges
Adler (Aurélie)
Pages 65 to 86
Verticales A sociohistory of the construction of an emblematic position in the literary field
Bass (Lilas)
Pages 87 to 109
Verticales phase one—an aesthetic situationism
Bikialo (Stéphane)
Pages 111 to 126
Frédéric Ciriez, writing glitter and waste
Ducas (Sylvie)
Pages 127 to 133
Can we speak of a “Verticales Generation”?
Nicolas (Alain)
Pages 135 to 150
The Inculte collective and Verticales A look at a postural encounter
Baud (Jean-Marc)
Pages 151 to 172
Philippe Bretelle, the eye of Verticales
Rass (Martin), Bikialo (Stéphane)
Pages 173 to 190
Giving body to the multiple Verticales’ 360-degree communication
Bonazzi (Mathilde)

DEUXIÈME PARTIE / SECOND PART

FICTION, DOCUMENT ET HISTOIRE(S) /
FICTION, DOCUMENT AND HISTORY(IES)

Pages 193 to 211
Defining literature by its margins Nonfiction at Verticales
Lefort-Favreau (Julien)
Pages 213 to 225
The potential histories of Philippe Artières
Demanze (Laurent)
Pages 227 to 246
Telling “true stories” An interview with Jane Sautière and François Beaune
Guidée (Raphaëlle)
Pages 247 to 262
Verticales, writing in the “collective singular”? The example of François Beaune
Rannoux (Catherine)
Pages 263 to 277
Living vertically Poetics for a world in crisis
Snauwaert (Maïté)

TROISIÈME PARTIE / THIRD PART

L’ARTISANAT DU STYLE CHEZ VERTICALES :
UNE SOMME DE SINGULARITÉS /
THE ARTISANSHIP OF VERTICALES’ STYLE:
A SUM OF SINGULARITIES

Pages 281 to 307
Working with language at Verticales, a human, engaged, and singular adventure Round table with Maylis de Kerangal, Noémi Lefebvre, and Yves Pagès
Germoni (Karine), Narjoux (Cécile)
Pages 309 to 310
Riding tigers or following dreams
Gueorguieva (Elitza)
Pages 311 to 313
Writing side by side
Gloukhova (Aliona)
Pages 315 to 327
The aesthetics of slag or the exception to the rule Dialogue with Arno Bertina and Marie-Hélène Massardier
Germoni (Karine)
Pages 329 to 343
For a vertical writing of the body
Susini (Laurent)
Pages 345 to 360
“Multiple new paths appear” Olivia Rosenthal’s experience of narrative and time
Narjoux (Cécile)

QUATRIÈME PARTIE / FOURTH PART

VERS UNE LITTÉRATURE EXPOSÉE :
INTER- ET TRANSMÉDIALITÉS /
TOWARD A LITERATURE ON DISPLAY:
INTER- AND TRANSMEDIALITIES

Pages 363 to 392
Intermedialities Round table with Anne-James Chaton, Frédéric Ciriez, Jean-Charles Massera and Olivia Rosenthal
Théval (Gaëlle)
Pages 393 to 409
Staying Verticales Cinema and the Verticales publishing house
Gris (Fabien)
Pages 411 to 433
Concordan(s)e/Verticales Sous la peau (Arno Bertina/Daniel Larrieu), a transmediation
Briand (Michel)
Pages 435 to 455
Verticales authors, transversal writing
Mayer (Judith)
Pages 457 to 459
Index of authors
Pages 461 to 479
Abstracts and contributor biographies
Founded in 1954 by Michel Minard, the Journal of Modern Literature is a collection of monographic and thematic series devoted to modern and contemporary writers.
  • CLIL theme: 4027 -- SCIENCES HUMAINES ET SOCIALES, LETTRES -- Lettres et Sciences du langage -- Lettres -- Etudes littéraires générales et thématiques
  • ISBN: 978-2-406-12907-3
  • EAN: 9782406129073
  • ISSN: 0035-2136
  • DOI: 10.48611/isbn.978-2-406-12908-0
  • Publisher: Classiques Garnier
  • Online publication: 03-02-2022
  • Periodicity: Monthly
  • Language: French
  • Keyword: publishing, editor, editorial, political, crossmedias, transmedias, style, writing, identity, singularity, plurality, polyphony, fiction, document, history, storytelling, literature exposed, decompartmentalization

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