Va-et-vient et inscription de l’unheimlich dans Textes pour rien de Samuel Beckett Trop près, trop loin, c'est trois fois rien

This paper offers a psychoanalytical reading that circumscribes what remains, after The Unnamable, to (un)say. The unfolding of our study will first of all follow the coming and going, the distancing and approaches outlined by the text. The notion of the unheimlich, as Freud defined and illustrated it will enable to define how death and life, birth and dying, the subject and his other attract and exclude each other in a form of fascination throughout this unfolding where the “point of view of Sirius” and violent intimacy alternate.