Genre musical et transferts culturels Le Deus judicium tuum de Telemann au Concert spirituel (1738)

This ­contribution analyses the role played by the Deus Judicium tuum, a motet à grand chœur ­composed by Telemann for the Concert spirituel in 1738, in his strategy to capture the Parisian audience. It tends to determine what was ­Telemann’s perception of the motet à grand chœur and what knowledge of the symbolic significance of this genre at the end of the ­1730’s can be gained from ­Telemann’s experience.