On transmitting (?) ephemeral art through images

The main stake in transmitting live performances lies in the nature of an instant “percept” and in the complexity of restoring a feeling. This work considers how a performance can be accounted for, as well as the processes implied in its perception whenever it aims at its transmission, or the stakes of said transmission. The way each spectator has to deal with this mediated reality leads to the study of filmic recordings as tools which allow us to get closer to the actual dramaturgical creation, and thus to restore something of its theatrical language.