Confessions masculines Quelle(s) masculinité(s) dans les solos autobiographiques d’hommes au théâtre ?

This article examines the way the autobiographic solo brings into play the question of masculinity. It puts further emphasis on the choice of this form by “maginalized” subjects, especially in the field of sexuality, in order to highlight their relation to “hegemonic” masculinity theorized by Raewyn Connell. It explores how gender norms are repeated or subverted in these solos through three axes of analysis: narrative, incarnation and comedy.