La fabrique du disparaître Rwanda 94 (le Groupov) et Kamp (Hotel Modern)

Contemporary theater openly tackles the catastrophes that punctuate our history. Wars, genocides, migrants, etc. are paradoxical material from a theatrical perspective since they entail a twofold representational, formal, and verbal impossibility. How does one give a shape to these experiences so that they can be shared? Examining the work of Groupov (Rwanda 94) and Hotel Modern (Kamp) this article analyzes several of the challenges of putting the inhuman on stage.