From text to texture in Marcel Broodthaers, Michalis Pichler, and Jérémie Bennequin A rereading of Stéphane Mallarmé in the era of the glitch

A re-interpretation of Un coup de dès jamais n’abolira le hasard (1897) is undertaken here using a modern phenomenon which has invaded the plastic arts. Defined as an electrical or electronic disruption, the glitch is seen as a way of disrupting video or plastic images. This decidedly anachronistic approach examines a fundamental disfunction at work in the texture of the poem which upsets our traditional ways of reading.