To understand how we listen to the sounding objects, the author focuses on specific examples (from Kubrick and Buñuel) in which something sounds wrong. The sounding object must be considered as a structure including the object, the sound, the realistic awaited sound and the listener.
CLIL theme: 3157 -- SCIENCES HUMAINES ET SOCIALES, LETTRES -- Lettres et Sciences du langage -- Sciences de l'information et de la communication
ISBN:978-2-406-10499-5
EAN:9782406104995
ISSN: 2491-2557
DOI: 10.15122/isbn.978-2-406-10499-5.p.0051
Publisher: Classiques Garnier
Online publication: 03-25-2020
Periodicity: Biannual
Language: French
Keyword: Sound, perception, 2001: A Space Odyssey, Belle de jour, phenomenology