“Choosing what is to be heard, at every moment, is writing” - Interview with Daniel Deshays Journal: Écrans2019 – 1, n° 11. Les objets sonnants au cinéma Array Array Number of pages: 212 Display online Digital Abstract Detailed information This article is the result of a meeting with Daniel Deshays, who is at the origin of the notion of “sounding object” and shares here his dual experience as a sound director (for the stage and for cinema) and as an important theoretician. ISBN: 978-2-406-10499-5 ISSN: 2491-2557 DOI: 10.15122/isbn.978-2-406-10499-5.p.0185 Publisher: Classiques Garnier Array Keyword: sounds, Foley, sound effects, listening, sound object
This article is the result of a meeting with Daniel Deshays, who is at the origin of the notion of “sounding object” and shares here his dual experience as a sound director (for the stage and for cinema) and as an important theoretician. ISBN: 978-2-406-10499-5 ISSN: 2491-2557 DOI: 10.15122/isbn.978-2-406-10499-5.p.0185 Publisher: Classiques Garnier Array Keyword: sounds, Foley, sound effects, listening, sound object
