This paper examines the concept of the auteur that explores how it was always geopolitical in character, and never simply an affirmation of individual expression. Truffaut’s Fahrenheit 451 is read as a theory of the auteur that foregrounds its status as gesture, rather than genius.
CLIL theme: 3157 -- SCIENCES HUMAINES ET SOCIALES, LETTRES -- Lettres et Sciences du langage -- Sciences de l'information et de la communication