“The Thin Film” On the Creation of Hybrid Space in Marguerite Duras’ Le Navire Night

The present paper focuses on the creation of hybrid space (references to the literary, theatrical and cinematic fields) in several manuscripts of Le Navire Night. In order to answer this question we studied first of all the “film of the Voices”, the verbal activity which prevails over the visual techniques. We also paid special attention to the poetic changes in different versions of the text (prosody, enunciation, Navire Night’s characteristics).